Welcome To StrawHat |
"Of all the auditions you can do this spring -- put
StrawHat at the top of your list! The caliber of the theatres represented,
the caring staff, and the overall quality of the audition experience from
initial song and monologue to dance call to call backs truly makes StrawHat
a class act. ... I ended up doing the kind of theatre I dreamed of while
in grad school. StrawHat opened doors that validated me not just as a
musical theatre performer, but as an actor, making all the training worth
it! (Not to mention I got my Equity card!)"
Steven Fales received his MFA in May of '98 and was offered his
Equity card to play "Happy" in Death of a Salesman at the New Harmony
Theatre. He is the creator of the Off-Broadway Hit Confessions of a
Mormon Boy, which has toured all over the country.
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StrawHat is an organization
that supports the careers of non-equity actors and technical
artists looking to start and continue their professional careers in the
theatre. Its main activity is to produce the StrawHat Auditions, which
are held in New York every spring. Over three days, over 750 actors and
"techies" and staff from over forty theatres attend. Actors audition for
available positions in the theaters' summer seasons while technical people
post their resumes and portfolios online and arrange phone or onsite interviews.
StrawHat's website has become an important addition to the auditions.
Every year over 1,000,000 visitors learn more about summer stock theatres,
review the thousands of actor and technical resumes on our site.
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New Harmony Theatre's
1998 "Death of a Salesman", with AEA actors Gil Rodgers and Larry Gleason,
and StrawHat alumni Steven Fales. |
The theatres who attend the auditions produce
everything from melodrama to plays, history fairs to musicals. Most are
summer stock theatres, but some are regionals that run year round. They
are looking for dancers, leading players, chorus, techies. All types,
all sizes, all genders, all colors. All skills.
StrawHat is run by people who have worked on
Broadway and/or in many of the major theatres in the US. We believe the
best way to start a career in the theatre is to work in the theatre. Learning
your craft. Putting in the hours. Meeting and working with people who
do this for a living. And having the time of your life.
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